I See What You’re Saying: The Materialisation of Words in Contemporary Art, is edited by Henry Rogers and includes writing about work featured at Ikon Gallery, Birmingham that either uses text or refers to text/ textuality/language. My essay Collisions, Slippages and Getting Lost explores the exhibition of work We They, We They by the artist Clare Rojas as a retrospective textual encounter with the work. It also includes fantastic writing and conversations by Sadie Plant, Jonathan Watkins, Jim Mooney, Henry Rogers and Pen Dalton.
Reading back through it, I still want to tweak my words, which I suppose every writer does, but it is such a good feeling to finally behold it in its physicality! Enjoy!
A real-life book, a tangible portal to countless worlds, knowledge, and imagination, waiting to be explored, cherished, and turned page by page.
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