I See What You’re Saying: The Materialisation of Words in Contemporary Art, is edited by Henry Rogers and includes writing about work featured at Ikon Gallery, Birmingham that either uses text or refers to text/ textuality/language. My essay Collisions, Slippages and Getting Lost explores the exhibition of work We They, We They by the artist Clare Rojas as a retrospective textual encounter with the work. It also includes fantastic writing and conversations by Sadie Plant, Jonathan Watkins, Jim Mooney, Henry Rogers and Pen Dalton.
Reading back through it, I still want to tweak my words, which I suppose every writer does, but it is such a good feeling to finally behold it in its physicality! Enjoy!